Netflix has dropped the first season of itsAddams Familyspin-off,Wednesday, and for the most part, it delivers on its promises and lives up to the hype.Wednesdayis a lot of macabre fun; Jenna Ortega gives a typically terrific performance in the iconic title role and Tim Burton’s direction brings the show to life. But the series is held back by a crucial misstep. The whole season 1 arc revolves around the search for a monster as Wednesday investigates a series of mysterious attacks at her paranormal boarding school Nevermore Academy. It’s a classic archetypal horror story that ties the show’s expansive ensemble together with a clear goal: figure out who’s secretly a shapeshifting monster. But that monster would be much more effective if it was created with a spooky practical effect instead of lifeless CGI.
There are a lot of things that theWednesdayseries does really well. Creators Alfred Gough and Miles Millar bring as much depth and relatability to Wednesday Addams as they previously brought to Clark Kent inSmallville.Ortega gives a phenomenal performance as Wednesday, cementing her place as the scream queen of 2022 after her turns inX,Scream, andStudio 666. She leads the series with palpable star power, nails the character’s dry sense of humor, and plays both Wednesday’s cold exterior and the vulnerability hiding beneath it with equal authenticity. Burton’s keen cinematic eye gives the show a uniquely chilling gothic aesthetic, capturing Jericho, Vermont with a Lynchian surreality.Danny Elfman provides a catchy themeand there are scene-stealing supporting turns from screen legends like Gwendoline Christie, Luis Guzmán, Fred Armisen, and the original Wednesday Addams, Christina Ricci.Wednesdayis a great new series with a lot going for it, but it’s let down by an ugly-looking CG monster that’s more laughable than frightening.
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The central mystery of the show revolves around figuring out the identity of a monster that’s been terrorizingthe students of Nevermore. The monster is a “Hyde” – the monstrous form of a Jekyll-like figure – so it could be anyone, adding an interesting whodunit angle to the series that keeps the audience guessing who that Jekyll could be. But this mystery would be a lot more compelling if the monster left a more impactful impression on the viewer. Every now and then, the Hyde pops up for a jump scare that doesn’t land. It has big, bulging eyes, razor-sharp teeth, and a huge, hulking build with hunched shoulders –a special effects artist like Rick Bakeror Rob Bottin could’ve had a field day bringing this creature to life with practical prosthetics. But the show’s creators opted to render the Hyde with CGI, and it just isn’t scary. In its computer-generated iteration, this Hyde creature looks more like Jack-Jack’s monster form fromThe Incrediblesthan the Predator or the Wolf Man.
All the most iconic movie monsters were created with practical effects. Towering 6’10” actor Bolaji Badejo donned a bodysuit to breathe life intoH.R. Giger’s haunting xenomorph design. From Bela Lugosi as Count Dracula to Boris Karloff as Frankenstein’s monster, the monstrous performances in the Universal Monsters movies still hold up today. Baker won the inaugural Academy Award for Best Makeup for his timeless, outstanding work onAn American Werewolf in London. To get a clear idea of how boring and lifeless CG monsters are compared to practical creations, look at Bottin’s effects from John Carpenter’sThe Thingnext to the computer-generated effects in the reboot.
Burton directed the first four episodes ofWednesdayseason 1, with Gandja Monteiro and James Marshall taking over for the final four. The visionary behind the small-town horror ofBeetlejuiceandEdward Scissorhandsis in fine form here, butWednesday’s Hyde pales in comparison toBurton’s other creepy creations. From Betelgeuse to the Joker, Burton’s most memorable monsters are created practically, not generated by computers. He brought the Headless Horseman to the screen by putting a blue ski mask on stuntman Ray Park. TheSleepy Hollowvillain’s headlessness was a CG effect, but the rest of him was created by pointing a camera at a stuntman on a horse. Burton’s CG-riddled, headache-inducing live-action remake ofAlice in Wonderlandis awash with overproduced CG imagery. The old-school horror aesthetic ofWednesdaydemands old-school monster effects like his hero Ed Wood would use, not dull CGI likeAlice in Wonderland.
The first season ofWednesdayis more than promising enoughto warrant a second seasonwith more of Ortega’s star power, Burton’s expressionistic visuals, and plenty of morbid merriment. But if Netflix is going to order another batch ofWednesdayepisodes revolving around another investigation into another monster, then season 2 needs a monster that’s actually frightening. No matter how advanced VFX technology gets, CGI will never beat practical effects – especially CGI on a TV budget.
